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Maya变形机器人之动画制作教程 Transforming Robot Production Pipeline Volume 10 Compositing

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www.digital-tutors.com Maya变形机器人之动画制作教程 Transforming Robot Production Pipeline Volume 10 Compositing
maya
Nuke
Compositing
Nodr_T 发消息
I create environments using nodes. Powered by logic, shaped by design.
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1. Introduction and project overview
01:22
2. Re-organizing a finished script for ease of use
07:37
3. Animating a Switch node to load different channels
13:34
4. Compositing passes together to extract a ground shadow
07:07
5. Minimizing missing shaders with expressions
09:21
6. Creating a pearlescent finish with an incidence pass
13:11
7. Extending our motion vectors using blurs and shuffles
15:01
8. Color correcting our foreground and background to match
12:35
9. Adding depth by color correcting based on a world point pass
11:18
10. Importing the clean plate script and adding tree movement
10:39
11. Keyframing our spline warp with animation principles
10:46
12. Using constraints in Maya to export particle emitter geometr...
06:15
13. Creating various particle forces to sculpt movement
09:24
14. Defining the look of the particle with noise and curves
08:24
15. Post producing the particles before rendering
06:43
16. Compositing our particles over the background plate
09:55
17. Changing the particle script to render the other dust clouds
07:35
18. Using regions to control the particle forces based on 3D dat...
07:30
19. Compositing our other dust clouds using cloning
08:45
20. Using roto to layer our dust into the middle of the truck
13:55
21. Adding more dust noise and finishing our particles
07:27
22. Adding Lens Distortion to the foreground footage
04:24
23. Adding lens flare artifacts with transforms and blurs
07:17
24. Creating an anamorphic-like lens flare with Glint
11:40
25. Animating camera shake on impacts
14:13
26. Using 3D data with Reconcile 3D nodes to animate flares
10:15
27. Using our camera to add motion blur to the BG and particles
08:43
28. Final color correction with the CC node, crosstalk and color...
09:21
29. Adding final touches like light wrap, grain and chromatic ab...
10:49

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