【生肉】Lynda – CINEMA 4D R17全面核心训练视频教程

001 Welcome

002 What you should know before watching this course

003 Using the exercise files

004 Understanding the Take System

005 Using the Take System for compositing

006 Creating versions with the Take System

007 Spline tool

008 Other features

009 Overview of 3D workflow

010 Navigating the CINEMA 4D (C4D) interface

011 Creating a text spline

012 Using the Extrude object

013 Creating a camera

014 Setting up a material

015 Lighting the model

016 Rendering

017 Introducing spline modeling

018 Creating splines in C4D

019 Using the Lathe tool

020 Using the Sweep NURBS objects

021 Importing curves from Illustrator and using the Extrude tool

022 Creating with the Loft tool

023 Understanding how 3D models are made

024 Points, edges, and polygons

025 Using the Extrude and Extrude Inner tools

026 Using the Bridge and Knife tools

027 Subdivision modeling

028 Exploring the PolyPen

029 What is a deformer_

030 Bend deformer

031 Using the Spline Wrap deformer

032 Wind deformer

033 Using deformer falloff

034 What makes up a 3D material_

035 How does C4D think about materials

036 Rough surfaces (bump, displacement, and normals)

037 Shiny surfaces (reflection)

038 Transparent surfaces (refraction)

039 Using an alpha channel (in a label on a bottle)

040 Creating and using selection tags

041 Projections vs. UVs

042 Editing UVs

043 Concepts of 3D lighting

044 Type of C4D lights and why we use them

045 Working with shadows

046 Why falloff is important and how to set it up

048 Volumetric lighting

049 Introduction to Global Illumination

050 Introduction to MoGraph tools and concepts

051 Using cloners

052 Using effectors

053 Creating MoGraph with Fracture objects

054 Creating type with MoText

055 Setting up dynamics

056 What are keyframes and how do you create them_

057 Timeline controls (F-Curve vs. Key mode)

058 Adjusting animation curves

059 Using set-driven keys

060 Moving the camera with custom user data

061 Reviewing how render engines work

062 Common render settings

063 Introduction to the Physical Render engine

064 Tips to reduce render times

065 Setting up multipass rendering

066 What is the 3D compositing workflow_

067 Uses for the Compositing tag

068 Using the AEC workflow

069 The CINEWARE workflow

070 Compositing with multipass

071 Next steps