【钢琴】李斯特 - 12首超技练习曲 作品S.139

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https://youtu.be/1O4h0AapdbQ 作品类型: 原创曲 演奏乐器: 钢琴 简介补充: Liszt- Transcendental Etudes S.139 (Clidat, Ovchinnikov, Kissin) Clidat – 00:00 – No.1 00:51 – No.2 [Note the dramatic tempo change at 2:22.] 03:01 – No.3 [The long crescendi are played beautifully.] 07:51 No.4 [Stunning. Note the coyness of the chromatic line at 10:56, the textural changes at 9:05 and 12:11, and the sheer swagger in the broadening at 12:42] 15:08 – No.5 18:31 – No.6 [Note the faster-than-usual tempo and the interesting decision to deemphasise the lowest bass notes in the opening] 23:24 – No.7 27:55 – No.8 [Clidat’s way with the middle section is incredibly – she brings a poignancy to the melody that is totally unexpected, and even in the end she makes this etude sound giddily and luxuriantly romantic – in the “love song” sense.] 33:18 – No.9 [Surprisingly taut and compelling. Note how Clidat differentiates carefully between the changing note values of the little turn that begins the main theme whenever it is repeated.] 42:41 – No.10 [Note how carefully the truncated note values are observed, and the sharpness of attack] 47:10 – No.11 [Beautifully liquid arpeggios] 56:14 – No.12 Ovchinnikov, Kissin – 1:00:49 – No.1 1:01:41 – No.2 1:03:42 – No.3 [O. brings a moving serenity to this piece that only Arrau equals] 1:09:06 – No.4 1:16:29 – No.5 [K.’s stunningly clear recording adopts a perky and precise approach, in contrast to C.’s preference for blurring lines for more impressionistic effect] 1:19:46 – No.6 1:25:11 – No.7 1:30:18 – No.8 1:35:00 – No.9 [O.’s phrasing here is absolutely flawless] 1:44:17 – No.10 1:49:09 – No.11 [K. builds up to some pretty earth-shattering climaxes here] 1:58:09 – No.12 [Note how K. separates voices by letting his hands go slightly out of sync, e.g., starting at 1:59:43]
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